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Peter Williams in the studio.

For more than 45 years Williams has chronicled current and historical events, interspersing pictorial narratives with personal anecdotes and fictional characters in order to create vibrant paintings about the diverse experiences of Black Americans. With boldness and humor, he tackles the darkest of subjects including, but not limited to, police brutality, lynching, slavery, mass incarceration, and other realms of racial oppression.  Williams uses cultural criticism to form new creation myths, retelling the history of America from fresh and cosmic perspectives.

Williams’ more recent paintings address a range of subjects including oppressive social structures, white supremacy, police brutality, abuse of power, and political activism. In his on-going series, Black Exodus, Williams tells an Afrofuturist tale of a brown-skinned race that escapes to outer space in search of new planet homes and an end to the cycles of oppression from which they have been subjected. The tale that Williams has envisioned is a journey of consciousness and conscience, a metaphor for the inner and outer travels that all of us must undertake to confront the truth about race and ourselves. 

Peter Williams was born 1952 in Nyack, NY and lives in Wilmington, Delaware. Williams earned his MFA from Maryland Institute College of Art and his BFA from Minneapolis College of Art and Design. He is the recipient of a 2021 Guggenheim Fellowship Award, 2021 American Academy of Arts and Letters Purchase Prize, and the 2020 Artists’ Legacy Foundation Artist Award.  In 2018 he was inducted into the National Academy of Design. Other awards include the Djerassi Resident Artists Program (2018), Joan Mitchell Awards (2004, 2007), Ford Foundation Fellowships (1985, 1987), and McKnight Foundation Fellowship (1983). He recently retired from his position as Senior Professor, Fine Arts Department, University of Delaware and taught at Wayne State University for 17 years prior.   

Williams’ many exhibitions include Black Universe (2020) at the Museum of Contemporary Art, Detroit, MI; Trinosophes, Detroit, MI; and Luis De Jesus Los Angeles. Men of Steel, Women of Wonder (2019), Crystal Bridges Museum of American Art, Bentonville, AK; River of Styx (2018), Luis De Jesus Los Angeles; With So Little To Be Sure Of (2018), CUE Art Foundation, New York; Prospect.4: The Lotus In Spite Of The Swamp (2017-18), Prospect Triennial, New Orleans, LA; Dark Humor: Peter Williams (2017), Allcott Gallery, University of North Carolina, Chapel Hill, NC; The N-Word: Common and Proper Nouns (2017), Ruffin Gallery, University of Virginia, Charlottesville, VA; Me, My, Mine: Commanding Subjectivity in Painting (2016), DC Moore Gallery, New York, NY.

Peter Williams’ paintings are held in the permanent collections of the Smithsonian American Art Museum, Walker Art Center, Whitney Museum of American Art, Detroit Institute of Arts, Nasher Museum of Art, Delaware Art Museum, Davis Museum of Art/Wellesley College, Ft. Wayne Museum of Art, Howard University in Washington DC; Wayne State University, Detroit; as well as numerous private collections including Jorge M. Perez/El Espacio 23, Miami, FL; Pizzuti Collection, Columbus, OH; McEvoy Family Collection, San Francisco, CA; Mott-Warsh Collection, Flint, MI; Beth Rudin DeWoody Collection/The Bunker, Palm Beach, FL; Bill and Christy Gautreaux, Kansas City, MO; CCH Pounder, New Orleans, LA; Rev. Al Shands, Louisville, KY; Kelly Williams and Andrew Forsyth, Palm Beach, FL; among others.  

Black Women of the Black Power Revolution in the 60's

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Peter Williams Movement Women (Kathleen Cleaver), 2018

Peter Williams
Movement Women (Kathleen Cleaver), 2018
Oil based enamel, glitter and graphite on canvas
48 x 36 in.

Peter Williams Movie Queens, Pam Grier, 2018

Peter Williams
Movie Queens, Pam Grier, 2018
Oil based enamel, glitter and graphite on canvas
48 x 36 in.

Peter Williams Fierce Fighters (Angela Davis), 2018

Peter Williams
Fierce Fighters (Angela Davis), 2018
Oil based enamel, oil and graphite on canvas
48 x 36 in.

Williams writes that "afro's were a way of acknowledging a stolen history and a people from Africa. It was about Black pride and history and a way to acknowledge the discrepancies between white culture and American culture. The three paintings in this series are portraits of Angela Davis, Kathleen Cleaver and Pam Grier.  Davies and Cleaver were amongst the many women of the movement and their fight for Black Power and respect. Pam Grier, an actress, redefined the image of docile black women and made films that revealed her powerful roles as a dynamic individual fighting crime and the system, with her beautiful body and mind."

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