
Griselda Rosas
Ni tanto que queme al santo, ni tanto que no lo alumbre (Don't take things too far), 2025
Watercolor, acrylic, and embroidery on paper
61 x 44.5 in (154.9 x 113 cm)
64.5 x 48 x 2 in (163.8 x 121.9 x 5.1 cm) Framed

Griselda Rosas
¿Dónde se encuentra la interrogación? (Where do you find the interrogation?), 2026
Watercolor, acrylic, watercolor pencil, and embroidery on paper
40.5 x 44 in (102.9 x 111.8 cm)
45.5 x 49 x 2 in (115.6 x 124.5 x 5.1 cm) Framed

Griselda Rosas
"Por favor" y "gracias" III ("Please" and "Thank you"III), 2025
Embroidery on recycled seed bag mounted on canvas
39 x 31 in (99.1 x 78.7 cm)
43 x 35 x 1.5 in (109.2 x 88.9 x 3.8 cm) mounted on canvas

Griselda Rosas
Ni la muerte nos detiene (Not even death can stop us), 2026
Embroidery on recycled seed bag mounted on canvas
34.5 x 38.25 in (87.6 x 97.2 cm)
36.5 x 40.25 x 1.5 in (92.7 x 102.2 x 3.8 cm) mounted on canvas

Griselda Rosas
!Mi pícnic ha termindado! (My picnic is over!), 2025
Embroidery on recycled seed bag mounted on canvas
30.5 x 19 in (77.5 x 48.3 cm)
34.5 x 23 x 1.5 in (87.6 x 58.4 x 3.8 cm) mounted on canvas

Griselda Rosas
Piel de Gallina (Goosebumps), 2026
Watercolor and embroidery on paper
24 x 18 in (61 x 45.7 cm)
28.5 x 22.5 x 2 in (72.4 x 57.2 x 5.1 cm) Framed

Griselda Rosas
Buena Suerte (Good Luck), 2026
Watercolor and embroidery on paper
24 x 18 in (61 x 45.7 cm)
28.5 x 22.5 x 2 in (72.4 x 57.2 x 5.1 cm) Framed

Griselda Rosas
¿Destino? (Destiny?), 2026
Watercolor and embroidery on paper
24 x 18 in (61 x 45.7 cm)
28.5 x 22.5 x 2 in (72.4 x 57.2 x 5.1 cm) Framed

Griselda Rosas
¡Fuga! (Escape!), 2026
Watercolor and embroidery on paper
18 x 24 in (45.7 x 61 cm)
24 x 30 x 1 in (61 x 76.2 x 2.5 cm) Framed

Griselda Rosas
¡Hágalo bien, hágalo rápido! (Do it well, do it fast!), 2025
Watercolor and embroidery on paper
24 x 18 in (61 x 45.7 cm)
30 x 24 x 1 in (76.2 x 61 x 2.5 cm) Framed
Lia Halloran
Horsehead Nebula, after Williamina Fleming, 2017
Edition 3 of 3
Cyanotype on paper from painted negative
41.5 x 27 in (105.4 x 68.6 cm)
44.25 x 30.25 x 2 in (112.4 x 76.8 x 5.1 cm) Framed
Lia Halloran
Magellanic Clouds, after Henrietta Swan Leavitt, 2016
Edition 1 of 3
Cyanotype on paper from painted negative
41.5 x 27 in (105.4 x 68.6 cm)
45.25 x 30.25 x 2 in (114.9 x 76.8 x 5.1 cm) Framed
Lia Halloran
Orion Nebula, after Henrietta Leavitt, 2017
Edition 3 of 3
Cyanotype print, painted negative on paper
41.5 x 27 in (105.4 x 68.6 cm)
45.25 x 30.25 x 2 in (114.9 x 76.8 x 5.1 cm) Framed
Lia Halloran
Pulsar, after Jocelyn Bell Burnell, 2016
Edition 3 of 3
Cyanotype on paper from painted negative
41.5 x 27 in (105.4 x 68.6 cm)
45.25 x 30.25 x 2 in (114.9 x 76.8 x 5.1 cm) Framed
Kim Garcia
here to stay, 2026
Resin, pigment, ink, necklace chain, and steel bar
17.25 x 13.25 x 1.5 in (43.8 x 33.7 x 3.8 cm)
Kim Garcia
time to face the sun, 2026
Resin, pigment, ink, necklace chain, and steel bar
17.5 x 15.8 x 1.5 in (44.5 x 40.1 x 3.8 cm)
Kim Garcia
where we stay, 2026
Resin, pigment, ink, acrylic, historical photograph on vellum, and necklace chains
12.25 x 10 x 2.5 in (31.1 x 25.4 x 6.4 cm)
Kim Garcia
it's almost like you're here, 2026
Resin, pigment, ink, and acrylic
9.75 x 15.63 x 2 in (24.8 x 39.7 x 5.1 cm)
Kim Garcia
guess it's something that you should know, 2026
Resin, pigment, ink and acrylic
22.75 x 18 x 2 in (57.8 x 45.7 x 5.1 cm)
Kim Garcia
lost in the eternal, 2026
Resin, pigment, ink and acrylic
16 x 23.63 x 2 in (40.6 x 60 x 5.1 cm)

NADA Art Fair, 2026, Booth B10

NADA Art Fair, 2026, Booth B10

NADA Art Fair, 2026, Booth B10

NADA Art Fair, 2026, Booth B10
Kim Garcia, Lia Halloran, and Griselda Rosas
NADA Art Fair | Booth B10
May 13–17, 2026
For NADA NY 2026, Luis De Jesus Los Angeles proposes a presentation of three Southern California multidisciplinary artists: Griselda Rosas, Lia Halloran, and Kim Garcia. These artists utilize a variety of materials and techniques that highlight overlooked histories, making them relevant in today's context. Their work features a dreamlike and surreal quality that bridges the gap between the past and the present. By using materials in surprising ways, they create a physical connection to their conceptual ideas. This approach allows their art to foster a deep connection with memory and history, emphasizing the importance of storytelling in our time.









