Curated by Amelia Jones, Robert Day Professor and Vice Dean of Faculty and Research at the USC Roski School of Art & Design, Ken Gonzales-Day: History’s “Nevermade” is the first mid-career survey of the Los Angeles–based artist, scholar, and educator. Spanning more than 30 years and featuring over 100 works, the exhibition brings together Gonzales-Day’s photographs, drawings, paintings, video, and research to explore cultural memory, race, and place in the United States.
Gonzales-Day coined the term “nevermade” to describe imagined historical documents—works that challenge who writes history, what is included, and what is left out. The exhibition traces his career through seven thematic sections: from early drawings and student works, to investigations of lynching in the American West, to deconstructions of racial bias in museum collections, collaborative portraits responding to moments of crisis, public artworks, and recent series reexamining colonial-era landscapes and archives.
Major series on view include Erased Lynching, Searching for California Hang Trees, The Bone Grass Boy, Profiled, Pandemic Portraits, Another Land, and Decolonial Drawings. Collectively, they reveal Gonzales-Day’s deep political, historical, and theoretical concerns, offering profound insights into America’s past and present.
